A sunny Summer’s Saturday in London is precious purchase when you live on a landmass oft-swept in mad maritime climate. Here’s a visual representation of one of my favourite Saturdays, from when I lived in London aeons ago:
1) There’s nothing that quite comes close to spending a couple of leisurely hours of brunch with one of my closest friends – someone whose creative spirit and sense of joie de vivre always seems to stimulate me. I strongly recommend the Huevos Rancheros at Giraffe, with fried egg, chorizo, black beans, avocado and jack cheese to line your stomach for the rest of the day.
2) A stroll along Southbank especially when its sunny, is always a lovely treat. We had to stop by the second-hand bookstalls in front of the National Theatre, of course and spotted prints of old maps and some lovely old editions of books.
3) One of the things I love so much about Southbank is that it is full of surprises. We were treated to a display of the Red Arrows spurting Britain’s glorious colours.
4) The sun was feeling a bit shy that morning, so occasionally the grey vista of London’s skyline exposed itself to us. We walked to Temple station where I bade my friend farewell and decided to go exploring on my own. I wasn’t far from the Templar church, made famous by the Da Vinci Code so went in search of it. I came across the magnificent Royal Courts of Justice in The Strand.
5) And found myself on Fleet Street, which was the established collective name for British broadsheets for about four hundred years until the 1980s when their headquarters began to shift to cheaper locations around London.
6) While taking photographs I spotted the easy-to-miss alleyway entrance to the Templar church’s courtyard
7) Unfortunately it was closed for a private event. I’ll definitely come back again though.
8) I then caught a bus back past the Strand to Trafalgar square and the National gallery
9) Where I spent way too much time (actually not enough) ogling the Impressionists that I love so much.
10) I remember the first time I walked into this particular room in the gallery and saw my first living, breathing Van Gogh painting. It was sunflowers. Over time though, I grew to fall in love with these two little fellas below:
11) And my first Monet – the Waterlilies. I couldn’t believe that I could walk into this gallery any day for free and sit in front of the actual paintings of Great Masters, meditating on how close I was to them, although separated from them in life by centuries.
12) I strongly recommend taking the free tours offered at museums. I decided to go on the 2.30pm one where you are taken around the gallery for an hour, learning about 4-5 key paintings in the collection. Here’s a little about the National gallery –
- Built in 1838
- Contains only Western European paintings from the mid-13th to early 20th century – all modern paintings (ie 20th century onwards) are housed at the Tate.
- has a collection of about 2300 paintings on display at one time.
- Sainsbury wing (newest wing) opened in 1991 to house the early Renaissance collection
Here are a few tid-bits from the tour for your reading pleasure:
Why was Caravaggio considered so avant-garde for his time?
We looked at the example of The Supper at Emmaus, painted in 1601. Unlike paintings at the time, Caravaggio put the two disciples in this painting in tattered rags, dressing them like peasants instead of in regal robes. Jesus himself was portrayed without a beard, appearing almost effeminate. The open arms showing broad gestures and emotion were too controversial for Caravaggio’s critics and gained their dislike. But, the most surprising element of all was the artist’s ability to structure the perspective of the painting so that the viewer felt like a participant in the painting.
What’s Michaelangelo’s style doing in every other Italian painting?
Sebastiano del Piombo’s Raising of Lazarus was drawn from original designs by Michaelangelo. Art historians know this only after discovering the drawings in archives. This is how they came to realise that, at a time when Michaelangelo and Raphael were the most sought after artists in Rome, Michaelangelo was probably producing drawings for a number of great artist’s works, without getting the credit for it. There are certain giveaways, like the muscular nature of the figures and the sometimes odd perspectives of the figures and how they are laid out in the picture. For example, Lazarus in this picture, if he stood up, would be abnormally taller than anyone else in the picture because of the extended length of his legs and torso.
How did the French painter Claude (Gellee, not Monet) make it big in Rome?
Claude came to Rome, like so many other artists, to make his name. But, he first began as a chef to earn a living while he built up his career. Over time, he became known for his landscapes and seascapes. At the time, pictures of landscapes and seascapes weren’t valued above historical pictures, which required a certain amount of learning and education plus understanding of the world from the artist. It was believed that any fool could paint a landscape. Claude couldn’t paint figures well, but he kept on doing them so that he could convert his land/sea scapes into historical paintings by including figures from biblical stories and myths in them. His paintings became so prized in their time that fakes were reproduced at an incredible rate. Claude began keeping a diary of his drawings so that, if asked, he could confirm whether he had actually painted something or not. Turner and Gainsborough learned about elements of light in painting from studying Claude’s paintings.
Why does England have so many Canalettos in the country?
There were so many brilliant artists in Venice at the time that Canaletto decided to specialise in order to make a living out of his art. He painted scenes of festivals and big events in Venice to sell to a particular audience: young, English gentlemen who were completing their Grand Tour in Venice, to round up their university education.
So, there you have it, a few of the things that makes one of my favourite London weekends.